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The Philosophy of Neo-Noir (The Philosophy of Popular Culture) (English Edition) de Mark T. Conard
Descripción - Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective -- more antihero than hero -- is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.
Detalles del Libro
- Name: The Philosophy of Neo-Noir (The Philosophy of Popular Culture) (English Edition)
- Autor: Mark T. Conard
- Categoria: Libros,Libros universitarios y de estudios superiores,Humanidades
- Tamaño del archivo: 9 MB
- Tipos de archivo: PDF Document
- Descargada: 435 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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The Philosophy of Neo-Noir (Philosophy Of Popular Culture ~ Neo-noir films incorporated the visual style, characterizations, and subject matter of the classic film noir of the 1940s and '50s. But this latter film genre was able to employ more advanced film techniques; and with the replacement of the moralistic Production Code with the more flexible modern ratings system, neo-noir film was able to add new dimensions of subject and visual matter.
The Philosophy of Neo-Noir (Philosophy Of Popular Culture ~ The Philosophy of Neo-Noir (Philosophy Of Popular Culture) - Kindle edition by Conard Ph.D., Mark T.. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Philosophy of Neo-Noir (Philosophy Of Popular Culture).
The Philosophy of Neo-Noir : Mark T. Conard : 9780813192178 ~ The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films.
The Philosophy of Neo-Noir - Google Books ~ The philosophy of neo-noir User Review - Not Available - Book Verdict. Much has been written about neo-noir's distinction from classic noir, the continuous presence of the femme fatale, and neo-noir's connection with horror films, but the 13 new essays in this anthology .
The Philosophy of Neo-Noir : Mark T. Conard : 9780813124223 ~ The Philosophy of Neo-Noir by Mark T. Conard, 9780813124223, available at Book Depository with free delivery worldwide.
The Philosophy of Neo-Noir by Mark T. Conard ~ Memento, Blade Runner, Chinatown, Reservoir Dogs, Pulp Fiction, Point Blank, A Simple Plan, Hard Eight, Miami Vice, and several films by the Coen brothers receive in depth analyses as the style and themes of neo-noir are developed along with such philosophy themes as subjectivity, personal identity, knowledge, justice guilt, and redemption.
The philosophy of neo-noir (eBook, 2007) [WorldCat] ~ Get this from a library! The philosophy of neo-noir. [Mark T Conard;] -- Film noir--a cycle of American films from the 1940s and '50s--is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but .
Neo-noir - Wikipedia, la enciclopedia libre ~ Neo-noir (del griego neo, «nuevo», y del francés noir, «negro») es un estilo de cine que utiliza gran parte de los elementos del cine negro (en francés film noir), pero que trata temas con contenidos actuales, y estéticamente se observan elementos que estuvieron ausentes en películas de cine negro de las décadas de 1940 y 1950.. Historia. El término «cine negro» fue usado por .
"The Philosophy of Neo-Noir" by Mark T. Conard ~ The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films.
The Philosophy of Film Noir - Google Books ~ A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir.
The Philosophy of Neo-Noir - Mark T. Conard - Libro in ~ The Philosophy of Neo-Noir è un libro di Mark T. ConardThe University Press of Kentucky nella collana The Philosophy of Popular Culture: acquista su IBS a 24.08€!
The Philosophy of Film Noir (Philosophy of Popular Culture ~ Buy The Philosophy of Film Noir (Philosophy of Popular Culture) (The Philosophy of Popular Culture) by Mark T. Conard (ISBN: 9780813191812) from 's Book Store. Everyday low prices and free delivery on eligible orders.
Project MUSE - The Philosophy of Neo-Noir ~ Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers.
The Philosophy of Neo-Noir by Mark T. Conard ~ Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers.
The Philosophy of Neo-Noir. - Free Online Library ~ The Philosophy of Neo-Noir Edited by Mark T. Conard The University Press of Kentucky, 2007; 213 pp.; $19.95 paper The goal of The Philosophy of Popular Culture series, according to series editor Mark T. Conard, is to make complex philosophical concepts more accessible to general readers by presenting them in conjunction with popular film and television genres, directors, and even sports.
The philosophy of neo-noir / edited by Mark T. Conard ~ Film noir--a cycle of American films from the 1940s and '50s--is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but also by dark, foreboding characters and plots and an overriding sense of alienation and moral ambiguity. Noir films reflect the sense of loss, fragmentation, and nihilism at the heart of the human .
TOPIC - Neo-noir - FilmAffinity ~ Neo-noir. Neo-noir es un estilo de cine que utiliza gran parte de los elementos del género del cine negro, pero que trata temas con contenidos actuales, y estéticamente se observan elementos que estuvieron ausentes en el cine negro de las décadas de 1940 y 1950.
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The Philosophy of Neo-Noir / Edition 1 by Mark T. Conard ~ Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers.
The Philosophy of Film Noir, 2006 / Online Research ~ The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.
The Philosophy of Neo-Noir, 2007 / Online Research Library ~ Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers.
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The Philosophy of Neo-Noir on JSTOR ~ Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers.
The Philosophy Of Neo Noir / Download eBook pdf, epub ~ the philosophy of neo noir Download the philosophy of neo noir or read online books in PDF, EPUB, Tuebl, and Mobi Format. Click Download or Read Online button to get the philosophy of neo noir book now. This site is like a library, Use search box in the widget to get ebook that you want.
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